Tuesday, 26 January 2010

Scenes From a Marriage (1973)

Frozen in time

The marriage begins with an image - the wedding photo - and asks the couple to remain faithful to this image. It asks them to keep smiling, to maintain harmony. But perhaps the marriage needs to be able to allow other images within its borders; images of tears, and bared-teeth; of dreams, mistakes, regrets.

In asking its participants to stick to a single image it does not allow them to be fully human, condemning them to the immovability of rigor-mortis. Its foundational image is pathology free, all smiles and great expectations. But if we decide that pathology is an important aspect of flourishing - an aspect of a balance - then it must be let in.

In this case, the mark of the strong marriage is its ability to adapt to changing waters, to allow the roiling seas as well as the calm lake.

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